Articles written by Jim Benz

Showing 18 Articles

Variations on a Pen(n): Denise Duhamel's "Delta Flight 659"
Writing a "mock sestina," Duhamel deviates from the norm while musing on poetry, war, celebrity, and perceptions of public persona.
Apr 16, 2010 - Jim Benz
Addressing a Rumor: Donald Hall's "Death to the Death of Poetry"
Poetry just isn't what it used to be. But then again, as a living practice of art and literature, should it be?
Apr 11, 2010 - Jim Benz
At the Heart of Contemporary Poetics, Jacket Magazine
With the advent of Internet publication, innovative poetics have entered a new age of wide distribution at low cost. Jacket Magazine is at its forefront
Apr 8, 2010 - Jim Benz
Kim Addonizio's "What Do Women Want?"
Kim Addonizio presents a vivid portrayal of "everywoman" in a brilliantly sketched urban setting. But a question remains: who is the speaker addressing?
Apr 1, 2010 - Jim Benz
Haiku and its Popular Conception
Too often haiku is mischaracterized as a poetry form whose rules consist only of three lines written in a 5-7-5 syllable pattern. The reality is more complex.
Mar 29, 2010 - Jim Benz
"Backdrop addresses cowboy" by Margaret Atwood
Creating a masterful poetic movement through the American mythos, Atwood skewers "manifest destiny" by embodying the voice of the Other, the discarded "I am."
Mar 25, 2010 - Jim Benz
Kenneth Koch's "Permanently"
Using grammatical metaphors to playfully bounce a poem's content off the structure of its language, Kenneth Koch works silliness against simplicity for poetic effect.
Mar 19, 2010 - Jim Benz
Charles Olson's Essay on Projective Verse
First published in 1950, this seminal essay is a must-read for contemporary poets who seek effective ways to create dynamic, free verse poetry.
Feb 5, 2010 - Jim Benz
Louis Zukofsky's "A"-9, Strophe 9
By rendering the specific meanings of "A"-9 ambiguous, Zukofsky uses verbal dichotomies to instigate sincere perception on the part of his readers.
Jan 21, 2010 - Jim Benz
Milan Richter's "Never at the Horse at Two"
In "Never at the Horse at Two," Milan Richter addresses contemporary events by crafting a love poem in the context of a politically charged era and locale.
Jan 8, 2010 - Jim Benz
Paul Celan's "So many constellations ..."
"So many constellations ..." begins with cosmological imagery that explores the uncertainty and ultimate unknowability between human subjects.
Jan 6, 2010 - Jim Benz
Rainer Maria Rilke's "Apprehension"
Beginning with a lonely birdcall, Rainer Maria Rilke's "Apprehension" enacts a prophetic sense of anxiety in the changing world of early 20th-century Europe.
Jan 5, 2010 - Jim Benz
Baudelaire & Whitman in Juxtaposition
Charles Baudelaire and Walt Whitman expound on the theme of urban crowds in their respective poems, "Crowds" and "Crossing Brooklyn Ferry".
Jan 4, 2010 - Jim Benz
Objectification of Louis Zukofsky's "A"-9
Employing the concepts of Marx, Spinoza, and Cavalcanti, Zukofsky puts their language and structures into play as a means of enacting the problematic of his own poetics.
Dec 17, 2009 - Jim Benz
An Introduction to Louis Zukofsky's "A"-9
"A" is Zukofsky's "poem of a lifetime": 800 pages, in 24 movements, written over 50 years. Its 9th movement is a brilliant recreation of the human mind in dynamic motion.
Dec 9, 2009 - Jim Benz
Louis Zukofsky's Sincere Perception of Language
Beginning with words as perceptible objects, Zukofsky's poetry generates a sense of dynamism and interactivity that moves beyond poetic description and authorial intent.
Nov 21, 2009 - Jim Benz
Louis Zukofsky and the Objectified Poem
Louis Zukofsky used every aspect of the written word to create multi-faceted poems which replicate the dynamics of worldly, human experience.
Nov 19, 2009 - Jim Benz
W.H. Auden's Speaker in Musée Des Beaux Arts
Auden brilliantly demonstrates the application of 'speaker's voice' as an effective device for complicating a poem's semantic content with nuance and ironic complexity.
Nov 5, 2009 - Jim Benz